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With GEN13 21 coming out today, I thought I'd talk about the approach we took with this series, way different than any other World's End title. When we started thinking about how to best show the kids in a post-apocalyptic Earth, we decided they should come upon the scene fresh, not having survived the various horrors. It would be pretty grim to tell the story of 17-year-olds who'd survived Armageddon and had lost all their youthful optimism. So the question was—how do we get them to World's End without them even being aware of it?
As everyone, I'm sure, knows—at the end of GEN13 20 (which shipped in May) the kids were seen chasing a lone Ratcatcher into an I.O. teleporter, with the intent of finally "taking the fight to I.O." Being all wrapped up in Tabula Rasa's last-gasp "15 Minutes" project, they couldn't know that the Number of the Beast bunker had been breached…or that the Reapers launched a counter-attack at the same time. When the kids exited the Coney Island end of the teleporter, it happened to be the exact moment when the High killed a Reaper over the East River—the flash of the nuclear explosion drove the confused teens back into the teleporter…and the subsequent emp blast knocked out the teleporter and all electrical devices in the five boroughs—trapping the kids on an emergency server!
And now we have GEN13 21…months later, a crafty I.O. employee manages to get the devastated Manhattan office's electrical systems on-line and guess who jumps out of the teleporter, thinking only a minute or two has passed?
Bringing this new vision of the classic teen team to life are the extraordinary Scott Beatty and Mike Huddleston. Scott's familiar to all as the guy that co-wrote WILDSTORM: REVELATIONS and destroyed the WildStorm Universe in NUMBER OF THE BEAST. He's got the spirit and voice of these characters down pat and is going to be doing some really cool things as the series unfolds. And enough can't be said about WSU-newcomer Mike Huddleston. Mike's been a star in the biz for years…I think I first became aware of his work when he took over HARLEY QUINN at DC and was thrown for a loop by the style change (as Terry Dodson started that book). Intrigued, I followed his work at Oni Press and his subsequent forays into the DCU and Vertigo. Finally, I had the perfect opportunity to offer him work—I contacted him regarding a FRIDAY THE 13TH story that resulted in one of the more memorable arcs on the book. Interesting—the New Line horror line yielded another artist to World's End…hmmm. It was his approach to the young hikers (who were ultimately slaughtered) that made me think he'd be a good fit for GEN13. He's got a very unique look and approach to his work that I thought would really shake things up on the title.
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